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Overview
"Paperback Writer" is a song by the English rock band the Beatles. Written primarily by Paul McCartney and credited to the Lennon–McCartney partnership, the song was released as the A-side of their eleventh single in May 1966. It topped singles charts in the United Kingdom, the United States, Ireland, West Germany, Australia, New Zealand and Norway. [Wikipedia]
Background
Paperback Writer is a song by The Beatles, written by McCartney and led on vocal by Paul McCartney. First Beatles single with bass made the loud feature; lyric is a written letter. The Beatles' June 1966 single 'Paperback Writer,' with its A-side energy and novelty theme, showcased the group's facility with everyday narrative subject matter and musical comedy. Paul McCartney's lead vocal delivered deadpan humor while detailing his protagonist's failed literary ambitions. The song's prominent bass line, showcasing McCartney's growing instrumental sophistication, anchored an arrangement that prioritized clarity and rhythmic drive over harmonic complexity (Lewisohn 1988, p.74). Kozinn lists 'Paperback Writer' alongside 'Rain' as the chosen single for pre-release promotion before Revolver's August 1966 appearance, noting their placement as standalone releases distinct from the album's more experimental material. (Kozinn 1995, p.144)
What's distinctive
One of 65 songs led primarily by Paul. Recorded approximately 4 of 16 into the Revolver / Studio Awakening (1966) sessions. Carries the unique tag 'loud-bass' — no other song shares it. Take count: 17 (highest take number documented in Lewisohn (1988)).Opening line — "Dear Sir or Madam, will you read my book…" (brief identification excerpt; full lyrics © Sony Music Publishing — see Genius link in References.)
Pattern analysis
Recording
The session work falls within the band's Revolver / Studio Awakening (1966) period, recorded 13 Apr 1966 at EMI Studios, Abbey Road. George Martin produced; Geoff Emerick engineered. For session-by-session detail, see Mark Lewisohn's account on p.13 of The Complete Beatles Recording Sessions (excerpt below). Recorded on 2 and the track benefited from four-track recording capabilities allowing precise instrumental separation and layered vocal arrangements. The distinctive bass line, played with aggressive attack and precise rhythmic placement, required multiple takes to achieve McCartney's exacting standards. George Martin's production emphasized the rhythm section and McCartney's vocal presence while maintaining the song's bouncing energy (Lewisohn 1988, p.74). MacDonald notes the compressed, thuddy bass-line sound on 'Paperback Writer' achieved through unconventional techniques, comparing it to similar effects explored during the Revolver sessions and discussing the potential use of capo positioning on high bass lines. (MacDonald 1994, p.87)
| Studio | EMI Studios, Abbey Road — Studio Three (largely) |
|---|---|
| Tape machine | Studer J37 four-track (with vari-speed, ADT) |
| Console | REDD.51 |
| Microphones | Neumann U47/U48, AKG C12, STC 4038, close-miking pioneered (Emerick) on Ringo's bass drum |
| Outboard / effects | EMI RS124, EMT 140 plate, Fairchild 660 limiter, EMI Artificial Double Tracking (ADT), Leslie cabinet (vocals) |
| Guitars | Epiphone Casino, Gibson SG (Harrison), Rickenbacker 4001S bass (McCartney introduced) |
| Amplifiers | Vox AC100, Vox 7120, Fender Showman, Fender Bassman |
| Producer | George Martin |
| Engineer / 2nd | Geoff Emerick • Phil McDonald (2nd) |
| Estimated takes | 17 (highest take number documented in Lewisohn (1988)) |
Legacy & release history
In the canonical discography it on the single Paperback Writer. Documented alternate versions include 2009 Stereo Remasters. Mono and stereo histories vary by era — see the dedicated section below. Paperback Writer spans 18 pages in Lewisohn's documentation, reflecting its cultural moment as a successful single release. Paul McCartney vocals represent 65 canon songs, with 14 in Revolver, establishing this as characteristic of his vocal work. At 3m 0s, it occupies the 81st percentile of canon duration, longer than typical pop singles of the era. As a chart-topping single paired with 'Rain,' the track demonstrated the Beatles' continued commercial success during their experimental Revolver period, reaching number one in multiple territories despite its departure from typical love-song subject matter (Lewisohn 1988, p.74).
Mono & stereo
- Mixed primarily in mono at Abbey Road; the Beatles attended only the mono mixes through Sgt Pepper.
- Stereo mixes from this period were prepared (often without the band present) and are now considered secondary by purists.
Documented alternate versions
- 2009 Stereo Remasters — Allan Rouse / Guy Massey remaster
Released on
- Paperback Writer — Single, 10 June 1966
Cross-references
Other songs sharing themes (loud-bass, letter-lyric, a-cappella-intro)
Other songs led by the same vocalist
Other songs from this era
loud-bassletter-lyrica-cappella-intro
References & external databases
Frequently asked
Who wrote Paperback Writer?
“Paperback Writer” is credited to Paul McCartney (Lennon–McCartney).
Who sings lead on Paperback Writer?
The lead vocal on “Paperback Writer” is by Paul McCartney.
When was Paperback Writer recorded?
“Paperback Writer” was recorded 13 Apr 1966 at EMI Studios, Abbey Road.
How many takes did Paperback Writer require?
Mark Lewisohn's session log documents up to 17 numbered takes for “Paperback Writer”.