Twist and Shout
Song by The Beatles • Medley–Russell
Beatlemania (1962–1964) — Mod sharpness — sharp suits, sharper hooks.
Background
Twist and Shout is a song by The Beatles, written by Medley–Russell and led on vocal by John Lennon. Album closer; cut last in one take with John's voice shredded by a cold. Within the catalogue, its cover thread connects it to Anna (Go to Him), Chains, Boys; its one-take thread connects it to Rock and Roll Music, Long Tall Sally; its vocal-shred thread connects it to Oh! Darling.
What's distinctive
One of 101 UK songs led primarily by John. A non-original — one of 23 cover versions in the canon. Recorded approximately 13 of 67 into the Beatlemania (1962–1964) sessions. Carries the rare tag 'vocal-shred' — shared with only 1 other song(s).Opening line — "Well, shake it up, baby, now…" (brief identification excerpt; full lyrics © Sony Music Publishing — see Genius link in References.)
Recording
The session work falls within the band's Beatlemania (1962–1964) period, recorded 11 Feb 1963 at EMI Studios, Abbey Road. George Martin produced; Norman Smith engineered. The track was committed to Twin-track BTR-2 (1962); Studer J37 four-track from late-1963 via the REDD.37 / REDD.51 valve consoles, with the era's standard signal chain — EMI RS124 compressor (Altec 436B mod), EMT 140 plate reverb, STEED tape echo. Likely instrumental setup followed the era's working kit: Rickenbacker 325 (Lennon), Gretsch Country Gent / Tennessean (Harrison), Höfner 500/1 violin bass (McCartney), Ludwig Oyster Black Pearl kit (Starr), amplified through Vox AC30 (TB & non-Top-Boost variants). For session-by-session detail, see Mark Lewisohn's account on p.11 of The Complete Beatles Recording Sessions (excerpt below).
| Studio | EMI Studios, Abbey Road — predominantly Studio Two |
|---|---|
| Tape machine | Twin-track BTR-2 (1962); Studer J37 four-track from late-1963 |
| Console | REDD.37 / REDD.51 valve consoles |
| Microphones | Neumann U47, U48; AKG D19 (drums); STC 4038 (overheads) |
| Outboard / effects | EMI RS124 compressor (Altec 436B mod), EMT 140 plate reverb, STEED tape echo |
| Guitars | Rickenbacker 325 (Lennon), Gretsch Country Gent / Tennessean (Harrison), Höfner 500/1 violin bass (McCartney), Ludwig Oyster Black Pearl kit (Starr) |
| Amplifiers | Vox AC30 (TB & non-Top-Boost variants) |
| Producer | George Martin |
| Engineer / 2nd | Norman Smith • Richard Langham, Geoff Emerick (2nd) |
Pattern analysis
Legacy & release history
In the UK canonical discography it appears on the LP Please Please Me; on the EP Twist and Shout. Documented alternate versions include Anthology 1 (1995). Mono and stereo histories vary by era — see the dedicated section below.
Mono & stereo
- Mixed primarily in MONO at Abbey Road; the Beatles attended only the mono mixes through Sgt Pepper.
- Stereo mixes from this period were prepared (often without the band present) and are now considered secondary by purists.
Documented alternate versions
- Anthology 1 (1995) — alternate take
Released on
- Please Please Me — LP, 22 March 1963
- Twist and Shout — EP, 12 July 1963
Cross-references
Other songs sharing themes (cover, one-take, vocal-shred, rocker)
Other songs led by the same vocalist
Other songs from this era
coverone-takevocal-shredrocker